Georges Simenon: Criminally Underappreciated

Georges Simenon: Criminally Underappreciated

Here’s something I wrote a while back about Georges Simenon. Every time I crack open Monsieur Monde Vanishes or The Widow, I’m reminded again what an amazing writer he is. He has that beautiful, spare quality of Hemingway but taken in the darker, gothic direction I prefer. His dialogue is snap-tight, and while the prose can occasionally steer into flat territory, he nails a sentence every few pages that reminds me why I read in the first place.

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